please, untitled document was my father, call me untitled document (1)
How a Character’s Anger Can Show Up Quietly
Anger doesn’t always slam doors. Sometimes it simmers. Sometimes it cuts.
╰ They go still. Not calm... still. Like something is pulling tight inside them.
╰ They smile, but their eyes? Cold. Flat. Done.
╰ Their voice gets quieter, not louder. Controlled. Measured. Weaponized.
╰ They ask questions they already know the answers to, just to watch someone squirm.
╰ Their words are clipped. Polite. But razor-sharp.
╰ They laugh once. Without humor. You know the one.
╰ They leave the room without explanation, and when they come back? Different energy. Ice where fire was.
The only consistent thing about my writing is not the quality or length or even genre but to make it queer as hell, and I'm good with that
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“I’ve been on the other side of dying for a very long time.”
“You mean the wrong side?” Derina’s voice teases and then leans in closer to murmurs, “This one’s much more fun.”
Her voice drawls on the last word, and Laila retorts, “Is that your plan? Die, resurrect, seduce an innocent man to depths of the ocean?”
“Hardly. You’re not a man, Ms. Kivris, or innocent for that matter.”
By the spirits, she’s an incorrigible flirt and probably responsible for a dozen stereotypes about sirens. Laila leans back to look at Derina better, the blood in her face running hot and keeps her mouth shut. She doesn’t trust her tongue enough right now.
The corner of Derina's lip curls up knowingly, her eyes wild and tipsy as they focus on her. Laila wets her lips and whispers, “What are you playing at?”
“Just a dance. We’ve got plenty of time until Marty kicks us out.” Derina tugs her hand but makes no motion to get up, brushing her thumb across Laila's knuckles.
- Silas Denver Melvin @sweatermuppet, Grit Poetry Collection
How bodies decompose
Wilderness survival skills
Mob mentality
Other cultures
What it takes for a human to die in a given situation
Common tropes in your genre
Average weather for your setting
anyone else write in the dark like a gremlin?? lol
A few followers have asked for tips on writing romance into their stories or as the basis of their stories. Here’s a masterlist of sources (below cut) that may help.
What Defines Romantic Love?
How to Plot a Romance Novel
Slowburn Romance
When Friends Fall for Each Other (ask)
Tips for Writing a Character Who Has a Crush
Tips on Writing Unrequited Love
Writing Healthy Couples in Fiction
An Antidote to “Love at First Sight”
How Attractive Should Your Characters Be?
3 Great Ways to Show That Your Character Is In Love
6 Ways to Get Your Readers Shipping Like Crazy
Six Steps to Stronger Character Arcs in Romances
Seven Great Sources of Conflict for Romances
9 Romance Writing Mistakes to Avoid
20 Tips for Writing Lovable Romance Novel Heroes
How to Write a Kissing Scene in a Romance Novel
Types of Kisses and Kissing + This Post Is All About Kisses
List of Ideas to Keep Romantic Tension High
100 Questions for Character Couples
How Do I Make the Relationship Development Realistic?
How Do I Know If Two People Are Compatible?
Healthy Relationships Can Include Teasing
How to Write a YA Romance Without Cliché
How do I write an interracial couple accurately? (ask)
15 Common Stereotypes About Intercultural Relationships
Cross Cultural Relationships
14 Experiences in a Cross-Cultural Relationship
Things to Avoid When Writing Interracial Romance
writingwithcolor: Interracial Relationships (w/ links)
Things to Keep Out of Your Healthy Relationships!
Removing the Creeps From Romance
Why The Surprise Kiss Must Go
Possessiveness 101
10 Signs You May Be in an Emotionally Abusive Relationship
Edward & Bella Are In An Abusive Relationship
Red Flags, Verbal Abuse, Stalking… | Script Shrink
5 Huge Mistakes Ruining the Romantic Relationships in Your Book
How do you write a [bad] relationship without romanticising it? (ask)
How to Write from a Guy’s POV
Writing Awesome Male Characters: What You’re Doing Wrong
7 Point-of-View Basics Every Writer Should Know
How Do You Describe a Character?
4 Ways to Make Readers Instantly Loathe Your Character Descriptions
3 Signs Your Story’s Characters Are Too Perfect
Is a Quirk Just What Your Character Needs?
Six Types of Character Flaws
Is Your Character Optimistic Or Pessimistic?
5 Ways to Keep Characters Consistent
9 Simple and Powerful Ways to Write Body Language
10 Body Language Tricks for Deeper Characterization
Describing People Part Three: Gestures, Expressions, and Mannerisms
33 Ways To Write Stronger Characters
Conveying Character Emotion
Distinguishing Characters in Dialogue
How to Make Readers Love an Unlikable Character…
Characters: Likability Is Overrated
How to Create Powerful Character Combos
8 Secrets To Writing Strong Character Relationships
Character Relationships: 6 Tips for Crafting Real Connections
Writing Relationships: Hate to Love
Five Signs Your Story Is Sexist: Part 1, Part 2
Five Signs Your Story Is Sexist – Against Men
Always Female vs Always Male
Born Sexy Yesterday & Manic Pixie Dream Girl
7 (Overused) Female Love Interests
Resources For Romance Writers
thewritershelpers FAQ (romance, kissing, sexuality, etc)
#romance | WordsnStuff
#romance | Hey, Writers!
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╰ Facial expressions
These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.
Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.
Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.
Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.
Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”
Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.
╰ Eye movement
The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.
Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”
Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”
Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.
Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.
Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.
╰ Gestures
This is where characters’ emotions go when their mouths are lying.
Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.
Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.
Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.
Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”
Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”
╰ Posture and movement
These are your vibes. How someone occupies space says everything.
Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.
Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.
Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.
Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.
Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)
╰ Touch
This is intimacy in all its forms, comforting, protective, romantic, or invasive.
Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.
Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.
Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.
Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.
Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.
╰ Mirroring:
If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...
Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.
Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.
Finger tapping — Time is ticking. Brain is pacing. Something’s coming.
Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.
Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.
Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.
Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.
Hands behind the back — Authority. Control. Or rigid fear masked as control.
Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.
Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.
Squinting — Focusing. Doubting. Suspicion without confrontation.
Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.
Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.
Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.
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