‘Knock On Wood’, Beds Sculpted Out Of Wood. Click For More Beautiful Pieces By Jeffro Uitto.

Ghibli houses

articles and essays I keep coming back to:

“joy” by zadie smith (about, well, joy)

“roaming the greenwood” by colm tóibín (ostensibly a book review of the history of gay literature but actually just very incisive thoughts on…the history of gay literature)

“the murder of leo tolstoy” by elif batuman (about exactly what it says in the title)

“the love that dare not squeak its name” by david rakoff (about, i swear to god, stuart little)

a room of one’s own by virginia woolf (I mean, you know)

the entire lingua franca archive but in particular “bio hazard” by fred kaplan (about writing a biography of gore vidal) and “the stand” by daniel mendelsohn (about the role of a philosopher (martha nussbaum love of my life) in a colorado gay rights case in the 90s)

“the professor of parody” by martha nussbaum (about judith butler)

Writing Tip Index

So I realize most of my Tumblr followers just follow me on Tumblr, which I’m cool with, but since I’ve been working really hard on updating my website, I still wanted to share it with everyone. If you have visited it recently, you’ve probably noticed quite a few changes. You can check it out here.

One of the new features is that I’ve compiled an almost complete list of my writing tips by topic. I’ll be updating it regularly here.

Below is the list as of my posting this. There are also a couple of articles that aren’t mine (noted) that I refer other writers to.

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Beginning

Coming up with a Good First Sentence

Tips on Starting a Story

How to Start Writing When You Have No Idea Where to Start

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Brainstorming

The REAL Key to Brainstorming: Restrictions

Flipping Story Stuff

Stacking Your Brainstorming Ideas

Coming up with a Plot (from scratch)

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Breaking Writing Rules

Breaking Writing Rules Right: “Show, don’t Tell”

Breaking Writing Rules Right: “Don’t Use ‘Was’”

Breaking Writing Rules Right: “Don’t Use Adverbs, Adjectives”

Breaking Writing Rules Right: “Only Use ‘Said’”

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Characters

Complex Characters and the Power of Contradiction

Making Unlikeable People into Likeable Characters

Character Traits that Hike Up Tension

Creating Stunning Side Characters (and Why They Matter)

Relationship as a Character: Crafting Duos, Trios, Groups that Readers can’t Resist

Pairing Behaviors with Odd Demeanors for Originality

“The Emotional Range of a Teaspoon”: Your Characters’ Spectrum of Emotions

Considering the Irrationality of Your Characters

How to Pick the Right Character Names

The “Twins as Clones” Writing Epidemic

What You Need to Know Most About Character Voice

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Conflict

Coming up with a Plot (from scratch)

Are Your Conflicts Significant?

Keeping Conflicts Unresolved

The Oft Forgotten Conflict and How to Make it Work: Man Vs. God

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Context

Context vs. Subtext (Context Should Not Become Subtext)

Making Strengths into Weaknesses (and Vice Versa) through Context

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Description

Picking the RIGHT Details

Three Tweaks that Keep Details Interesting

Breaking Writing Rules Right: “Don’t Use Adverbs, Adjectives”

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Dialogue

Writing Realistic and Complex Dialogue

Kicking “Great” Dialogue up to “Killer” Dialogue

Breaking Writing Rules Right: “Only Use ‘Said’”

Generic Dialogue—Staaaahp

(Don’t) Tell Me How You Really Feel

Emotion

Writing Empathetically vs. Sympathetically and Sentimentally

Let Your Reader do the Work

Raw vs. Subdued Emotions: Getting them Right in Your Story

“The Emotional Range of a Teaspoon”: Your Characters’ Spectrum of Emotions

Gaining Incredible Emotional Power by Crossing Opposites

Choosing Relatable Descriptions to Power up Empathy

Selecting the Right Sentence Structure for the Right Emotion

Dealing with Melodrama: What it is, How it Works, and How to Get Rid of it

The Emotion Thesaurus by Angela Ackerman and Becca Puglisi

Feedback

The Real Reason You NEED to Give Positive Feedback!

Feeding us Criticism

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Foils

Playing with Foils

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Grammar and Punctuation

Dangling Modifiers and How to Correct Them (Purdue OWL)

Punctuation in Dialogue (The Editor’s Blog)

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Humor

15+ Tactics for Writing Humor

Guardians of the Galaxy and the Art of Constructing Jokes (Film Cit Hulk Smash)

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Micro-Concepts

Writing Micro-concepts

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Mystery

The Mechanics of Rendering Mysteries and Undercurrents—How to Withhold Info Right

Keep reading

simply cannot ever resist what i call the little mermaid or the tin man or the pinnochio plot, the one about a character who is either inhuman or human but outside in some way, constantly searching for whatever it is that they consider to be the quintessential proof of humanity, preoccupied by it so deeply that they fail to realize the proof is in the act and fact of the search itself

Forever indebted to @mostlysignssomeportents for this one. 

music for your moods part 2

a live band is playing in a bar, you haven’t slept for two days we aren’t strangers when we hold champagne chutes in our hands  white bedsheets and spilled hair  the lights casted on the ceiling are spinning just as we are the 10th person i’ve slashed my sword against theres a big tree in the middle of the room windows rolled down, sharp sting of the wind against my hands here comes… another one of them  locked in with moving rides and flickering lights  part 1

There are many primers on how to start with Ursula K. Le Guin, all of them perfectly fine, but I haven’t seen any that just go with “Start with what’s available and easily accessible”. 

“The Ones Who Walk Away From Omelas” is available online, and it’s only four typewritten pages. Confession: I hadn’t read this until today. You may think, as I did, because you know the story through osmosis (as probably many people who are familiar with sci-fi do) you don’t need to read it. You would be wrong.

This website has collated stories that are available online. They all appear to be from free sources like Baen, Lightspeed, and Clarkesworld.

On Le Guin’s personal website there is a great deal of stuff: poetry (original and in translation), book excerpts, interviews, and writing advice. 

She blogged pretty extensively for many years, and there’s some lovely stuff in there. Her penultimate entry was about her cat Pard and the Time Machine. (just Ctrl + F for “pard” on the archive index. Trust me.)

Don’t let me stop you from going to the library or your online bookstore of choice to get her books, of course, but there’s plenty of stuff available that you don’t have to go very far to access.

Hello! Would you mind doing an example of not using filter words in a first person point of view? While I know that you can just switch out the pronouns for I/me/my, I just want to see it in action and when you should (and shouldn't) use the filter words. Thank you!

Hi there! I would love to! I think I’ll start out with an example with filter words and then cut out the filter words to show you the difference.

For those of you who haven’t seen my post on Filter Words.

Now, for the example:

I felt a hand tap my shoulder as I realized I had made a huge mistake. I knew the consequences would be unsettling, but I had no other choice. I saw the light of my desk lamp bounce off of the officer’s badge before I had even turned around. It seemed like I always found my way into trouble.

It was the first thing off the top of my head, so it’s a bit rough sounding….

Now for without filter words (And a bit of revision):

A hand tapped my shoulder as it dawned on me: I had just made a huge mistake. The consequences would be unsettling if I didn’t get out of this mess, but I had no other choice. The light of my desk lamp bounced off of the officer’s badge. I always found my way into trouble.

By taking out filter words, you get right to the point.

I’d also like to add a few more notes that I didn’t have the chance to post previously.

Some Examples of Filtering:

I heard a noise in the hallway.

She felt embarrassed when she tripped.

I saw a light bouncing through the trees.

I tasted the sour tang of raspberries bursting on my tongue.

He smelled his teammate’s BO wafting through the locker room.

She remembered dancing at his wedding.

I think people should be kinder to one another.

How can you apply this?

Read your work to see how many of these filtering words you might be leaning on. Microsoft Word has a great Find and Highlight feature that I love to use when I’m editing. See how you can get rid of these filtering words and take your sentences to the next level by making stronger word choices. Take the above examples, and see how they can be reworked.

FILTERING EXAMPLE: I heard a noise in the hallway.

DESCRIBE THE SOUND: Heels tapped a staccato rhythm in the hallway.

FILTERING EXAMPLE: She felt embarrassed after she tripped.

DESCRIBE WHAT THE FEELING LOOKS LIKE: Her cheeks flushed and her shoulders hunched after she tripped.

FILTERING EXAMPLE: I saw a light bouncing through the trees.

DESCRIBE THE SIGHT: A light bounced through the trees.

FILTERING EXAMPLE: I tasted the sour tang of raspberries bursting on my tongue.

DESCRIBE THE TASTE: The sour tang of raspberries burst on my tongue.

FILTERING EXAMPLE: He smelled his teammate’s BO wafting through the locker room.

DESCRIBE THE SMELL: His teammate’s BO wafted through the locker room.

FILTERING EXAMPLE: She remembered dancing at his wedding.

DESCRIBE THE MEMORY: She had danced at his wedding.

FILTERING EXAMPLE: I think people should be kinder to one another.

DESCRIBE THE THOUGHT: People should be kinder to one another.

See what a difference it makes when you get rid of the filter? It’s simply not necessary to use them. By ditching them, you avoid “telling,” your voice is more active, and your pacing is helped along.

The above list is not comprehensive as there are many examples of filtering words. The idea is to be aware of the concept so that you can recognize instances of it happening in your work. Be aware of where you want to place the energy and power in your sentences. Let your observations flow through your characters with immediacy.

Ok, sorry for the lengthy answer, I know you just wanted an example…. sorry!

If you have any questions, feel free to ask at my ask box

I just wrote over 2,500 words after not writing for a year. Just feels amazing to know that it doesn't matter if what I wrote was any good. Those are words that finally came out and they don't need to be perfect.

And I want this to be your sign that it's okay if you haven't written in a long time. You can always just come back to it.

Art by Chelsea Blecha