Lord I got š¢ and ā”ļøPrompt #2 on the wheel. Would love to see Alastor x reader do number 13 on that prompt list
prompt 2, #13 FLUFF! Cuddling for comfort (platonic!)
Alastor was not a people person.
He didnāt like people touching him,Ā though he often invaded otherās space.
However, the terrifying Overlord didnāt mind when you invaded his space and touched him.
You were one of the few people who the red deer considered a friend.
Only you could get away with being so close to him.
The two of you were in the hotel lobby, enjoying the peace of the afternoon. You were leaning your head against his shoulder as you listened to music, slowly nodding off. Alastor continued to read his newspaper as he felt you shift and snuggle against him.
Looking at you from the corner of his eye, to find you had shuffled completely onto the couch and shifted your entire weight against him.
He smiled and adjusted himself so you wont hurt your neck and continued to read his paper.
winter days
besties
Another thing I absolutely love about Astarionās redemption arc is how some narrative threads introduced in Act 1 find their resolution in the good ending.
The first and most obvious one revolves around the beautiful concept of a gift.
When the player offers their blood to Astarion, he receives a gift that goes beyond mere nourishment. In that moment, what Tav/Durge is giving him, beyond blood, is understanding and trust.
And this concept comes full circle after the ritual, where this narrative thread finds its conclusion. Thatās when Spawn Astarion thanks the player for the gift they have given himāgently guiding him by the hand toward a new path where he is truly free.
But not just free. As the vampire spawn himself says in that ending, he is honestly free. And for that gift, he is grateful.
I think thatās absolutely beautiful.
But the meaning runs even deeper than that. This ties into the theme of seeing and being seenānot in a superficial sense.
After all, Astarionās appearance is both a curse and a shield, something he has learned to wield, just like his mannerisms, his charming words, and the sarcasm he uses as a distraction.
Itās an important concept because it means going beyond the surface, seeing him for who he truly is, feeling him, and experiencing him in his entirety.
Astarion deeply struggles with his conditionānot just as a slave, but as a vampire. Heās so happy to be able to act human again thanks to the Illithid tadpole, to do simple, mundane things like crossing running water or entering a house without permission. And letās not even talk about his joy at standing under the sunlight.
When you meet him on the beach for the first time and reveal what will happen if they donāt get rid of the Illithid tadpoles, Astarionās bitter reaction, complete with laughter, shows just how much it truly weighs on him: "Of course itās going to turn me into a monster, what else did I expect?!"
In fact, when his vampiric nature is revealed for the first time during the bite scene, he fears rejection and is quick to emphasize that heās not some kind of monster. The morning after, when Shadowheart tactlessly points out this aspect of him, his expression changes, and we can see how being perceived as a monster wounds him. It keeps him at a distance, sets him apart as something other. Later, he will even say outright that he wants to be treated like a personānot as a slave, not as a vampire. Just a person. Not superior, not inferior. Exactly like everyone else. Because Astarion wants to be part of the world, to reconnect with people.
This is especially clear when he approves of Tavās perspectiveāthat he could find a place for himself in the world, where he could be accepted, supported, if he is willing to open up and do the same for others. He approves because the idea appeals to himāit makes him feel like he can belong. Not as a monster, but as a person finding his way back into the world he once inhabited.
But Iām digressing.
The mirror scene isnāt just there by chanceāitās narratively strategic. In that moment, Astarion explicitly asks the player what they see, because he wants to know how the world perceives him. He worries about how others see him precisely because he feels separate, othered, like a monster. And itās not a matter of appearanceāAstarion knows heās gorgeous. Heās heard it thousands of times over the centuries. But heās insecure about his place within the group, within society, within the world.
Thatās why he appreciates it when Tav/Durge reassures him on the two things that trouble him mostāhis piercing gaze (the red eyes of a vampire) and his dangerous smile (the sharp fangs of a predator). He relaxes because, in that moment, he feels accepted. Because he realizes his defining traits arenāt the insurmountable barriers he thought they were. Because the person in front of him sees himānot through the lens of prejudice, but for who he really is.
This theme returns later, during the confrontation with Aurelia and Leon, when Astarion deflects the idea of being heroic by saying, "I canāt be what you see in me." Again, the motif of seeing, of looking deeper, of recognizing something more, of reading between the linesāboth of the narrative and of his character.
And itās beautiful when, the morning after the ritual, that relaxed, happy Astarion, with that wonderful smile on his lips, says that Tav/Durge saw something in him. Something different from everyone else. Something beyond his monstrous nature, beyond his darkest intentions, beyond his fear.
Tav/Durge saw him. Saw his potential.
And if youāre in a romantic relationship with him, in the graveyard scene, Astarion will bring up this idea once again. With a heroic Tav/Durge, Astarion feels safe. And he feels seen. Seen, for godās sake. Thatās huge.
This is where this narrative arcāabout perception, about seeing him throughout the entire journeyāfinds its resolution. Astarion is truly more than what Cazador made him to be. He breaks free from the pattern of monster/vampire. He chooses to start living again. To rediscover himself. To reclaim his identity in the most human way possibleāthrough the world and the people around him.
Perhaps his body has not regained its human traits, but spawn Astarion is, without a doubt, the Astarion who has reclaimed his humanity the most.
Canāt stop thinking about the fact that āin all timelines, in all possibilitiesā Viktor doesnāt even think for one second about letting Jayce die in the snow as a child, preventing hextech from ever being created. When Ekko ends up in a dimension without hextech, we see that itās infinitely better off than almost any of the worlds with hextech. But itās not a possibility that Viktor even entertains.
Like Iāll use my god powers to search every version of every dimension to find one where you show me unconditional love enough to save the universe, but I canāt even begin to imagine of one in which I never get to know you. Or whatever.
my fav thing about sunrise on the reaping was when haymitch was like yeah caeser i'm a lone wolf š i'm with the newcomers but i'm not WITH the newcomers, yknow? they call me a rascal. a rebel against the gamemasters. I scored a ONE and that is a THREAT. you do not want to mess with me š
cut to him with like 20 kids following him around like ducklings, him hiding in his t-shirt, him letting a bunny guide him to safety because it reminded him of his girlfriend, and him making nightlights out of potatoes.
jayce and his two cats (viktor rescued that baby from the trash btw)
No context
out of context hazbin hotel spoiler
doodle
Vox is cute
If Zaun!Viktor existed he would have invented vapes to vape shimmer with sweet milk flavour to keep his lungs from hurting.
The āØdreams and visions⨠told me that.
This is so sexy and I can't explain why....
masterlist Requests open20 // CURRENTLY EDITING MY PAGE DW IT IS UNDER CONSTRUCTION
427 posts