Redraw Of This

ρθροφοιτοσυκοφαντοδικοπαλαίπωροι, τρόποι

The unhappy habit to get up in the early morning to attend tribunals dealing with (stupid) judgments and convictions

I'm just gonna girly pop and Baby gorl Vash until someone gets mad at me.

do you have any tips for anatomy?? the way you draw bodies flows so well and looks so natural, but its also really detailed!!

Thank you!!! There is too much to say on the matter so I summarised some basics. The best way to learn is to draw nudes (looooots of nudes), but I hope those tips make the process easier ~

ROYAL DEMON ROSE

i didnt post it here so hey! a pretty fish!

Back muscles!

SKELETAL LANDMARKS 

shoulder blades: most of the upper back muscles attach to them directly, placement is affected by the arms. They can get obscured on very muscular backs, but most people these are the most dominant features!

7th cervical vertebra: neck bone that sticks out in most people, it sits in the center of that diamond shaped tendon in the middle of the trapezius

Also, obviously always keep the general shape of the ribcage and spine in mind, it was too much of a pain to draw them all in lol.

BACK MUSCLES

Erector Spinae: make the column-like structures around the spine, they extend all the way up to the neck, but you really only see the bottom part.

Latissimus Dorsi: are very thin, so most of the time you only see the structures underneath (such as the erector spinae). But when flexed, (for example, when climbing), you can see here on Jimmy Webb’s back that swooping curve it makes under the armpits.

The lats are also responsible for most of a person’s upper body strength and are the “V” shaped part of the back. For example, it’s how Bruce Lee was so strong despite being a small guy. Just look at those wings, man.

Infraspinatus, Teres Minor, and Teres Major: sit on the shoulder blade itself, and connects it to the top of the arm bone. These are responsible for a lot of the crazy shapes you see in bodybuilders’ backs.

Underneath them is the serratus anterior, which technically isn’t a back muscle but sits on the side of the ribs. These form that zig-zag pattern on the ribs that makes people look super ripped when visible with the external obliques, both wrapping around the sides of the torso. They’re not technically back muscles but fill out the silhouette, so it’s good to keep them in mind.

the glutes/butt muscles… they go farther up the back than one might assume and they, along with the pelvis, do affect the surface appearance of the lower back.

Rhomboid: simple shape, attaches from the inner edge of the shoulder blades to the middle of the spine at the 7th cervical vetebra to about the 4th or 5th thoracic vetebra. It does not overlap with the latissimus dorsi

Trapezius: divided roughly in the top, middle, and bottom sections. The top is quite thick and cylindrical and makes the sloping shape from the neck to the shoulders.

The bottom part is very thin; like the latissimus dorsi, the forms underneath it are visible when relaxed, making the rhomboid visible if it is flexed and the traps are not. Also not where the bottom part’s tendons attach to the shoulder blades; it outlines the curve of the shoulder blades even in people who are covered in brains muscles.

When fully flexed, it doesn’t taper into a point, but makes a small “w” shape at the bottom.

The 7th cervical vertebra sits at the center of the diamond-shaped tendons between the first and second sections of the trapezius. This part appears recessed in very muscular people.

Deltoid: not really a back muscle, but they overlap with the Infraspinatus and insert into the upper ridge of the shoulder blades, so it’s good to see how they interact with the others.

Ah, now for an example, featuring Thor himself. Note the curve where the traps meet the shoulder blades, the diamond-shaped tendon, and the rough “w” shaped contour of the lower back. Also note the two dimples, which is formed by the pelvis bones. They tend to be more prominent in women, although they are found in both men and women.

Try to find the back muscles on other people yourself, and then GET DRAWING

(PS, Generally it’s best to be able to simplify the forms instead of trying to render straight away - that’s how you know you really internalized the anatomy! I… honestly still don’t understand the back enough to do that yet, hence the lack of examples, unlike with the forearms post. But nonetheless, I hope that this is still useful as a general reference. I know it’s helped me at least remember what the different parts are, even if I don’t yet have a grasp of how they interact in motion!)

NNT pride — Pink // Honeymoon

“We want a little more lovey-dovey alone time … !” — Nanatsu no Taizai, Chapter 345. 

Happy Pride 2020 & a belated congratulations to all the couples at the end of the manga!  ♡  

Here is Ludwig von Schlegel. I choose this surname because I made this Saint Seiya original character in the meanwhile I was studying for German Philology exam.

He’s a specter from the two goddess sisters Makarie and Melinoë, both daughters of Hades (in the myth). 

He was born in North Germany from a Greek father and a German mother, and trained in Greece to become silver saint - his name was Vulpecula.  But as he became silver saint, some Athena’s enemies, as revenge, killed his parents - Athena showed no interest in that situation. So, Ludwig started left slowly her side ‘cause of the pain he suffered and the disinterest for his mourning and miasma he was living.

So, he started to live alone near Eleusis, where in the cave where Nameless Gods statues stood, met two old sisters who he chatted for a while with. They talked about mercy, respect and during the months Ludwig lived there, always visited them. The two old women introduced Hades’ daughters as mercy and respectable goddess, towards which Ludwig got more and more close. 

At the end, he would left Athena’s side as silver saint to rebirth as terrestrial mercy star on the side of the two old women, whom will reveal as the two goddess self.

‹‹ Καλὸς καὶ ἀγαθός ››

‹‹ beautiful and good ››

In Ancient Greece kindness and beauty go hand in hand. Valorous Heroes and Powerful Gods are always described with a particular beauty and their brightness is one of the most important characteristic.

In Homer's Greek, eyes are sparkling, the skin is bright and etc, those aspects are translated as "blue eyes", "milky white skin", "golden hair". Lexicon of the colours in ancient greek is also pretty problematic, more than the real shades of eyes and hair, in those texts what matters is properly the level of brightness, because Deities are associated to light, so that Gods and Demi-gods shine.

Also in the next eras the binomial "good and beautiful" benefits of great success: in the greek arts, where beauty canons require beautiful and regular lineaments, also in portraiture of real persons, who appear all uniformly beautiful, similar and without defects (wrinkles, moles, receding hairline...)

Pretty different is, however, Roman portraiture, that goes to realism and made it its main goal.

In Homeric Poems, ugliness and deformity are associated to the viles, untrustworthy, envious. Later, the discourse is modified, because ugliness becomes an allegory and is applied to monsters fought by heroes.

"The strenght of the good is refugee in the nature of the Beautiful", wrote Platon. The beauty of physique corresponds to the moral perfection, according ancient greeks.