not to be a fucking boomer but holy motherfuck i’m so tired of young queers on social media having temper tantrums about flags and words and fanfiction and just shit no one gives a fuck about in real life.
here’s a list of things i’ve encountered in irl queer spaces that no one batted an eye about that i have seen nuclear level freak-outs about on tumblr:
- trans man calling himself a lesbian
- trans man calling himself a femboy
- lesbian being married to a trans man
- trans man and trans woman calmly and respectfully talking about reproductive transphobia (me and my voice teacher who i adore)
- gay men in puppy masks simply existing
- trans woman not doing voice training/feminization because she likes her voice the way it is and somehow not “tRiGgErInG” the women around her with her scary deep Male VoiceTM
- queer people saying slurs in normal speech when we talk about history or community or for self identification
- talking about how cishets are shitty to us no matter how we identify and not policing other people’s language when they talk about their personal experiences
i am far from the first person to say this but oh my god go outside. meet other queer and trans people in person at queer events. if you can’t do that, see if there are any streaming events you can attend. but just get off social media. stop thinking of the queer community as this nebulous online thing with rules and regulations created by and for white tumblr teens. it’s a real living breathing group of people that has infinitely varied experiences that a 20 yr old white tumblr user will never be able to succinctly boil down into a one liner. definitions mean nothing. stomping ur feet on tumblr bc u saw a trans man use a word u don’t like or a trans woman like a thing u think is gross and bad is stupid and u should not do it. grow up and go do something fun.
Milf Barn
Okay, so this might be a bit tmi, but *proceeds to basically recite the MCR wikipedia*
ACDC: Every dad’s favourite band
Adams, Bryan: Every mom’s favourite singer until Michael Buble came along
Aerosmith: haha they thought Vince Neil was a lady
Alice Cooper: he’s a Game Of Thrones fanboy and I have proof
Alice In Chains: my sister doesn’t like them because she decided AC were Alice Cooper’s initials ONLY
Allman Brothers Band: good music for dropping acid to
Allman, Gregg: That’s too many Gs for one name
Animals: House Of The Rising Sun, or who even cares
Argent: Sometimes Hold Your Head Up is really catchy
Asia: Tuesdays
Autograph: one of the members went on to be a pharmacist
Bachman-Turner Overdrive: There are just so many pop culture jokes about Taking Care Of Business that whatever I say won’t be as funny
Bad Company: with their song; Bad Company, off their album; Bad Company
Benatar, Pat: Always getting her confused with Patti Smith
Black Crowes: I like them for Lickin, but it doesn’t seem to exist outside of one shoddy video on youtube and my old CD
Blackfoot: this band name feels kind of racy
Black Sabbath: Dio was not better or worse than Ozzy; just different
Blondie: I like Call Me, but Blondie confuses me stylistically
Blue Oyster Cult: MORE COWBELL
Bon Jovi: Hello, childhood trauma, I missed you
Boston: ONE GUY. ONE GUY DID IT ALL AND NO ONE KNOWS
Bowie, David: Don’t let your children watch The Man Who Fell To Earth, or David Bowie’s will end up being the third penis they see in life
Browne, Jackson: Another musician ruined by Supernatural
Buffalo Springfield: Jack Nicholson was at the riot they sing about
Burdon, Eric: no ideas, brain empty
Bush: ditto
Candlebox: ditto once more. Who are these people?
Cars: This band feels so gay and so straight at the same time, I can only assume they’re the poster children of bisexual panic
Cheap Trick: I played Dream Police on Guitar Hero so fucking much because it was the only song anyone who played with me could keep up with
Chicago: Chicago 30 exists, but they do not have 30 albums. Fucking riddle me that
Clapton, Eric: 6 discs in one Greatest Hits is too many. That’s called “re releasing your discography”
Cochrane, Tom: For some reason, everyone thinks Rascal Flats did it better
Cocker, Joe: Belushi did it right
Collective Soul: who?
Collins, Phil: If his biggest hits were done by MCR, they would be emo anthems, but because he’s 5′6″ and from the 80s, they’re not
Cream: *Vietnam flashbacks on the hippie side*
CCR: *Vietnam flashbacks on the war side*
CSNY: David Crosby; meh
Deep Purple: THEY’RE SO MUCH MORE THAN SMOKE ON THE WATER
Def Leppard: the only music for when you’re a heartbroken bitch but also a sexy one
Derek And The Dominos: Clapton and ‘Layla’ broke up
Derringer, Rick: Tom Petty if he was from the midwest
Dio: You thought it was an anime reference, but it was me, Dio
Dire Straits: You can tell how bigoted a radio station is based on how much of Money For Nothing they censor
Doobie Brothers: I have yet to smoke weed, but I listen to the Doobies, and I think that’s pretty close
Dylan, Bob: I take back everything I said about him in my youth
Eagles: Hotel California isn’t their best song, but the memes that come from it are second to none
Edgar Winter Group: @the–blackdahlia
Electric Light Orchestra: Actually an orchestra and sound a fuckton like George Harrison
ELO: I really hesitate to ask what happens with the 7 virgins and a mule
Essex, David: no prominent memories of him
Fabulous Thunderbirds: cannot spell
Faces: Who on earth thought that was a good album name?
Faith No More: I got nothing
Fixx: One Thing Leads To Another is a damn bop
Fleetwood Mac: I ain’t straight, but I’m simply not enough of a witch to enjoy them to full potential
Fogerty, John: He got sued cause he sounded like himself
Foghat: Slow Ride slowly becoming less coherent feels like a drug trip
Foo Fighters: He was just excited to buy a grill
Ford, Lita: deserved better
Foreigner: dramatically overplayed
Frampton, Peter: a masterful user of the talk box
Free: dramatically underplayed
Gabriel, Peter: leaving Genesis changed him a lot
Genesis: if someone likes Genesis, clarify the era, because yes, it does matter
Georgia Satellites: sing like you have a cactus in your ass
Golden Earring: Twilight Zone slaps, but it doesn’t slap as hard as this station thinks it does
Grand Funk Railroad: Funk
Grateful Dead: I like their aesthetic more than their music
Great White: there are so many fucking shark jokes
Greenbaum, Norman: makes me think of Subway for some reason
Green Day: the first of the emo revolution
Greg Kihn Band: RocKihnRoll is literally the most clever album name I’ve ever seen
Guns N Roses: They have more than three good songs, but radio stations never recognize that
Hagar, Sammy: I’m still trying to figure out where he lived to take 16 hours to get to LA driving 55 and how fucking fast was he driving beforehand?
Harrison, George: He went from religious to rock, and if he had continued rocking, he would have gotten too cool
Head East: I respect people who use breakfast foods as album names
Heart: Magic Man and Barracuda are played at least once every goddamn day. They’re not even the best songs!
Hendrix, Jimi: I have both a cousin and a sibling named after Hendrix references
Henley, Don: Dirty Laundry gives me too much inspiration
Hollies: Somehow sound like they’re both from the 60s and the 80s at the same time
Idol, Billy: he’s doing well for himself
INXS: Terminator vibes
Iris, Donnie: knockoff Roy Orbison
James Gang: too many funks
Jane’s Addiction: if TMNT had a grunge band representative
Jefferson Airplane: *assorted cheers*
Jefferson Starship: *assorted boos*
Jethro Tull: The only band to make you feel not cool enough to play the flute
Jett, Joan: icon
J. Geils Band: I requested them on the radio once and it got played
Joel, Billy: he really did just air everybody’s business like that
John Cafferty And The Beaver Brown Band: literally wtf is that name
John, Elton: yarn Elton sits in my basement, unstaring. Please someone take him from me
Joplin, Janis: Queen
Journey: Stop overplaying Don’t Stop Believing. It takes away from the rest of the repetoire
Judas Priest: literally started the gay leather aesthetic
Kansas: another fucking band Supernatural stole
Kenny Wayne Shepherd: the man confuses me to the point where he isn’t in the right place alphabetically
Kiss: Mick Mars and I will simply have to disagree on the subject
Kravitz, Lenny: runaway vibes
Led Zeppelin: Fucking fight me if you don’t think they’re the most talented band (maybe not the most talented individually, but collectively, no one comes close)
Lennon, John: My least favourite Beatle for reasons
Live: I got nothin
Living Colour: slap a decent amount
Loverboy: do you not get TURNT the fuck up to the big Loverboy hits? Who hurt you??
Lynyrd Skynyrd: Sweet Home Alabama is a Neil Young diss track
Marshall Tucker Band: no opinion
Manfred Mann’s Earth Band: VERY STRONG OPINIONS THAT THEY AREN’T GOOD
McCartney, Paul/Wings: Power couple
Meatloaf: I have nothing but respect for a man who willingly named himself Meatloaf
Mellencamp, John: voted cutest lesbian of 1987
Metallica: I liked their appearance on Jimmy Fallon
Midnight Oil: I get them confused for Talking Heads a lot
Modern English: who?
Molly Hatchet: Hollies vibes, but also Georgia Satellites vibes
Money, Eddie: DAN AVIDAN, IF YOU SEE THIS, COVER TAKE ME HOME TONIGHT
Motley Crue: Stan Mick Mars and John Corabi. They’re the only ones who deserve it
Mott The Hoople: no one loves them except for David Bowie
Mountain: props for naming an album ‘Climbing’
Nazareth: I want to make a John Mulaney joke here, but I can never come up with one
Nicks, Stevie: witch queen
Night Ranger: I get them confused with Urge Overkill
Nirvana: Kurt Cobain was the ally grunge needed
Nova, Aldo: he’s Canadian, at least
Nugent, Ted: *serves a ghost as jerky*
Offspring: nothing here
Osbourne, Ozzy: this bitch crazy
Outfield: Your Love is kind of a sketchy song, but it slaps hard
Palmer, Robert: low quality Eddie Money
Pearl Jam: *grunts in Eddie Vedder*
Petty, Tom: I have so many feelings about Tom Petty and they are all good
Pink Floyd: which one is Pink?
Plant, Robert: solo career is a crapshoot, but his voice is unparalleled
Poison: I want them to write a song called ‘Alice Cooper’
Pretenders: I want to say good things, but I have nothing to say
Queen: A doctor of astrophysics, a screaming girl, a disco queen and a diva walk into a bar. It’s Queen; they’re there to play a gig
Queensryche: neutral opinion
Quiet Riot: they got big because of a song they hated. I love that
Rafferty, Gerry: the second-sexiest sax opening in all of music
Rainbow: Ritchie Blackmore created something very magnificent
Ram Jam: one good song and they didn’t even write it
Ratt: I’m sure they have more than Round And Round, but I don’t know it
RHCP: funky, but if you have paid money to hear them, you’re going to The Bad Place (I don’t make the rules)
Red Rider: basically Golden Earring
Reed, Lou: Walk On The Wild Side would be such a cool song if it wasn’t so dull
REM: American Tragically Hip
REO Speedwagon: Props for having a dad joke as an album title
Rolling Stones: Never in my life could I imagine the drummer being named anything but Charlie
Rush: How to make being uncool the coolest fucking shit
Santana: The world needs more Santana
Scandal: There’s something really funny about The Warrior being my brother’s “song” with his girlfriend
Scorpions: Was Wind Of Change written by the CIA? Only the spotify podcast I got an ad for once could say
Seger, Bob: A different variety of Eric Clapton (frankly a better variety, but that’s just me)
Simple Minds: we ALL forgot about you
Skid Row: Sebastian Bach is prettier than all of us
Soundgarden: music that makes you feel like you dunked your head underwater
Springsteen, Bruce: my arch-nemesis. Maybe someday, he’ll find out about it
Squeeze: according to my friends, the stupidest band name ever, but they’re theatre kids, so you know
Squier, Billy: If he can make it through 1984 alive, you can make it through whatever bad day you’re having
Stealers Wheel: Yet another band who I always mistake for George Harrison
Steely Dan: my house’s nickname for the Robber in Settlers Of Catan
Steppenwolf: Either makes me think of Jay & Silent Bob, Jack Nicholson, or that time I had to cut 6lbs of onions
Steve Miller Band: when you’re in the right mood, they slap hard
Stewart, Rod: my soundtrack to summer 2015
Stills, Stephen: Love The One You’re With Is Catchy, but the lyrics are questionable
Stone Temple Pilots: the only band to write a song about goo you smear on yourself
Stray Cats: an obscene amount of merch is available for them
Styx: Supernatural would have ruined them for me too if I hadn’t been into them previously.
Supertramp: I hunted for Breakfast In America for two years and it was worth every hunt
Sweet: I will never understand my two-month obsession with Ballroom Blitz when I was 15, but it was legit all I listened to
Talking Heads: you may find yourself in a pizza hut. And you may find yourself in a taco bell. And you may find yourself at the combination pizza hut and taco bell. And you may ask yourself; ‘how did I get here?’
Temple Of The Dog: I keep confusing them for Nazareth
Ten Years After: somehow still relevant
Tesla: not the car or the dude
The Beatles: Evokes a lot of opinions from people. Mine is that I love them
The Clash: I showed my sister the ‘Lock The Taskbar’ vine ONCE and it still kills her
The Doors: evokes teenage terror from deep within my soul
The Guess Who: Canada’s answer to confusing question-themed band names
The Kinks: kinky
The Police: wrote the theme of 2020 and everyone somehow forgot it was about a teacher resisting becoming a pedophile
The Ramones: playing all of their songs in a row wouldn’t take more than 2 hours
The Romantics: you don’t think you know them, but if you’ve seen Shrek 2, you have
The Who: If someone can explain Tommy to me, I’d be glad to hear it
The Zombies: I think they happened because of the 60s
Thin Lizzy: Could the boys maybe leave town?
Thorogood, George: blues, but make it modern
Toto: the most memed song behind All Star
Townshend, Pete: just makes me think of the end of Mr. Deeds
T-Rex: Mark Bolan is an icon
Triumph: The no-name brand of Rush
Tubes: like the yogurt
Twisted Sister: they did a christmas album and my mom does NOT hate it
U2: U2 Movers; we move in mysterious ways
Van Halen: RIP Eddie
Van Morrison: honestly, who’s named Van?
Vaughn, Stevie Ray: Steamy Ray Vaughn
Walsh, Joe: The Smoker You Drink The Player You Get
War: Foghat, but even groovier
Whitesnake: the most successful band to be named after a penis
Wright, Gary: the 90s thanks him for writing the song every movie used for the “guy sees cute girl and it’s love at first sight” scene
Yes: To Be Continued
Young, Neil: The best part of CSNY
Zevon, Warren: the album cover of Excitable Boy makes me deeply uncomfortable for reasons I don’t understand
ZZ Top: has been the same three guys since 1969. Lineup unchanged.
3 Doors Down: They feel a little modern to be on a classic rock station, but whatever
38 Special: Why 38?
The True Lives of the Fabulous Killjoys (2013)
Republicans are losing on abortion. They’re losing elections, from the midterms to red state ballot measures. They’re losing public opinion: 78% of Americans believe abortion should be a decision left to a woman and her doctor, with support for reproductive rights the highest it’s ever been.
Given all this losing, how is it possible that the GOP is still framing the debate on abortion? It’s absurd that the national conversation has become a question of when it’s fair to legislate someone’s body. With voters more furious and pro-choice than ever, the most effective message is also the only appropriate answer: never.
Yet while Republicans frame their bans as reasonable compromises, pro-choice politicians have been inexplicably taking the bait. Democrats continue to cater to an imaginary middle out of fear that they’ll be labeled extremists, even though conservatives will attach the label to them regardless. And to prove the horror of abortion bans, they’re focusing almost exclusively on the extreme stories they believe will be most sympathetic—sexual violence victims, for example, and women with wanted pregnancies denied abortions despite the risk to their lives.
It’s vital to highlight all of the harm caused by bans, and stories like these undoubtedly demonstrate the horror of these laws. But concentrating on the few experiences that Democrats believe are most palatable at the expense of the majority of cases is a grave moral and strategic error.
Every abortion denied is a tragedy. You don’t have to go into sepsis to be forever harmed by an abortion ban. You don’t need to be raped to have control of your body stolen from you.
And while the most extreme consequences of abortion bans do happen with shocking regularity, they are still outliers: Most people seek out abortions because they don’t want to be pregnant. And that’s okay—in fact, it’s critical.
Reproductive rights and justice isn’t about who ‘deserves’ care, or who has endured enough suffering to have earned an abortion. Forcing anyone to be pregnant against their will, for any reason, is immoral and cruel. Yet somehow in the hubbub of polls and bills, talking points and politics, the power of this fundamental truth has been pushed aside.
That’s why Republicans need the public debate on abortion to be distracted with fights over 12 weeks versus 15 weeks, or what medical conditions should be listed in so-called exceptions. They want Americans to forget the central compelling reality of what these bans really do: legally require pregnancy. They take away a person’s ability to control their own body and life. It is a profound existential harm.
The national conversation on abortion may be neglecting that fact, but Republicans haven’t forgotten. They know exactly what’s at stake and have planned for the suffering their laws will cause—suffering they know won’t just impact those forced to carry doomed pregnancies or victimized children, but all women and girls.
Tucked away in most abortion bans is language on medical exceptions that anticipates precisely what happens when you force people to be pregnant against their wills:
“[N]o condition shall be deemed a medical emergency if based on a claim or diagnosis that the woman will engage in conduct which would result in her death or in substantial and irreversible physical impairment of a major bodily function.” (Senate Bill 20, North Carolina)
The wording shifts slightly from state to state, but the mandate is the same: pregnant people will be made to stay that way, even if a doctor believes they will kill themselves.
What better proof is there that conservative lawmakers know how vital it is to one’s humanity to have control over your own body? How ‘reasonable’ and ‘commonsense’ can a law be that predicts women becoming suicidal as a result?
That’s why it’s so important that Democrats focus on more than just certain tragic stories when talking about abortion. Every case is an extreme case, because every woman’s life and free will is important.
Besides, by paying disproportionate attention to the experiences that strategists believe are the most sympathetic, Democrats are giving the GOP a critical political opportunity: the ability to avow that they’ll tweak abortion bans to account for those particular cases. In fact, Republicans have already started doing this—using exceptions and amendments to claim they’re making their laws more lenient.
The truth, of course, is that these are changes in name only. When Idaho Republicans added language to their abortion ban to “clarify” allowances for medically-emergent abortions, for example, doctors in the state were furious over the farce. Boise-based maternal fetal medicine specialist Dr. Lauren Miller said that politicians were “trying to make it look like something happened, when in fact, this makes no meaningful change.”
But even if Republican exceptions were genuine, and allowed for abortions in certain cases—what about everyone else?
Before Roe was overturned, one in four American women would have an abortion in their lifetime. That’s a huge portion of the population now without care. To abandon them, even in our talking points, is unthinkable.
It also doesn’t make any political sense. Support for abortion rights is the highest it’s ever been—why would Democrats cede anything at all?
We know why Republicans are framing state bans as sensible middle-grounds, despite all evidence to the contrary. They desperately need voters to believe that they’re not extremists. (A tall order when the nation’s leading anti-abortion groups want to make birth control illegal.) And in a moment when Americans are really unhappy with abortion bans, the hope is that painting 12- and 15-week restrictions as a concession will make voters feel as if Republicans have compromised or lost something.
But the strategy isn’t working. A recent poll from NARAL Pro-Choice America showed 70% of respondents don’t buy the idea that a 15-week ban is a “reasonable compromise.” And an ABC/Washington Post poll reports that only 18% of Americans believe abortion should be regulated by law at all.
And so remaining on the defensive—whether it’s allowing conservatives to define what a ‘middle ground’ is, or fighting solely to restore Roe and nothing more—only gives credence to one of the biggest abortion lies of all: the notion that Americans are split on the issue.
In a moment when Republicans across multiple states are working to stop citizens’ right to vote directly on abortion, there is perhaps no myth more important to debunk. Because if Americans believe that the country is evenly divided on abortion, they’re much less likely to ask questions when restrictions are passed against voters’ wishes.
That’s the same reason conservatives are pushing for a national abortion ban by calling it a ‘national standard’ or ‘national consensus’. Anti-abortion activists won’t use the word ‘ban’ because they need federal abortion legislation to sound like something everyone agrees on. Otherwise, voters might be reminded that a small group of extremist legislators are enacting bans that Americans decidedly don’t want.
For years, the conventional wisdom was that conservatives won the messaging war on abortion. Whether it was true or not then, it’s certainly not the case now. That’s why there’s no reason for pro-choice politicians or mainstream activists to mince words or tiptoe: If the GOP isn’t winning the debate, why in the world would we let them frame it?
Anytime an anti-abortion activist or lawmaker starts to talk about their ‘reasonable’ abortion bans, they need to be asked why a so-called moderate bill needs to anticipate women becoming suicidal. If they talk about ‘exceptions’, demand that they produce a single person who was able to obtain an abortion using one. And when Republicans argue that Americans want a ‘compromise’ on abortion, ask why, then, they’re so afraid of letting voters have a say.
Let them attack us, let them spin and lie. Because it’s not “extreme” to believe no one should be forced to carry a pregnancy against their will. It’s not “radical” to point out that pregnancy is too complicated to legislate. How do we know? To start, because these beliefs are the norm.
And that’s what Democrats need to be reminding the public of every day. These are bans being passed against our wills, laws that are hurting people every single day. Not just those with tragic stories—but anyone with the ability to get pregnant. It has never been more important to lead with the truth instead of responding to their lies.
Abortion rights has historic support, it’s time we all talk like it.
BTW I only really use this main account for shitposts & likes. If ya wanna see some cool stuff, check out my classic rock sideblog, where I post Fanart and memes and stuff:
I don't know why folk aren't immediately talking about this but. The "professors" aren't named after trees, are split into the game versions theme, and seem to have tie-ins aesthetically to the legendaries. Pretty sure they're the Scarlet/Violet villains unless pokemon is really changing things up
I just use this acc to like shitmy sideblog: https://www.tumblr.com/livingunderaclassicrock
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